| A user experience review of music interaction evaluations D Brown, C Nash, T Mitchell technology 23, 28, 2017 | 37 | 2017 |
| Liveness and flow in notation use C Nash, A Blackwell New Interfaces for Musical Expression (NIME) 2012, 2012 | 35 | 2012 |
| The Cognitive Dimensions of Music Notations C Nash Technologies for Notation and Representation (TENOR) 2015 1, 2015 | 29 | 2015 |
| Tracking virtuosity and flow in computer music C Nash, A Blackwell International Computer Music Conference (ICMC) 2011, 2011 | 29 | 2011 |
| Supporting virtuosity and flow in computer music C Nash | 25 | 2012 |
| Liveness in Notation Use: From Music to Programming. L Church, C Nash, AF Blackwell PPIG, 2, 2010 | 24 | 2010 |
| Manhattan: End-User Programming for Music C Nash New Interfaces for Musical Expression (NIME) 2014, 2014 | 23 | 2014 |
| Leimu: Gloveless music interaction using a wrist mounted leap motion D Brown, N Renney, A Stark, C Nash, T Mitchell interaction 1 (2), 3-4, 2016 | 17 | 2016 |
| Simple mappings, expressive movement: a qualitative investigation into the end-user mapping design of experienced mid-air musicians D Brown, C Nash, T Mitchell Digital Creativity 29 (2-3), 129-148, 2018 | 14 | 2018 |
| Flow of Creative Interaction with Digital Music Notations C Nash, AF Blackwell The Oxford Handbook of Interactive Audio, 387-404, 2014 | 13 | 2014 |
| Is There a Data Model in Music Notation? R Fournier-S’niehotta, P Rigaux, N Travers, R Hoadley, C Nash, D Fober Intl. Conf. on Technologies for Music Notation and Representation (TENOR’16 …, 2016 | 12 | 2016 |
| Understanding user-defined mapping design in mid-air musical performance D Brown, C Nash, T Mitchell Proceedings of the 5th International Conference on Movement and Computing, 1-8, 2018 | 10 | 2018 |
| An iterative design ‘by proxy’method for developing educational music interfaces C Ford, C Nash Birmingham City University, 2020 | 8 | 2020 |
| Was that me? Exploring the effects of error in gestural digital musical instruments D Brown, C Nash, TJ Mitchell Proceedings of the 15th International Audio Mostly Conference, 168-174, 2020 | 7 | 2020 |
| The'E'in QWERTY: Musical Expression with Old Computer Interfaces. C Nash NIME, 224-229, 2016 | 7 | 2016 |
| Thoughts on interactive generative music composition S Hunt, C Nash, T Mitchell 2nd Conference on Computer Simulation of Musical Creativity, 2017 | 6 | 2017 |
| How can music visualisation techniques reveal different perspectives on musical structure S Hunt, T Mitchell, C Nash International Conference on Technologies for Music Notation and Representation, 2017 | 6 | 2017 |
| Realtime Representation and Gestural Control of Musical Polytempi. C Nash, AF Blackwell NIME, 28-33, 2008 | 6 | 2008 |
| Creativity in Children's Digital Music Composition C Ford, C Nash NIME 2021, 2021 | 4 | 2021 |
| A cognitive dimensions approach for the design of an interactive generative score editor S Hunt, T Mitchell, C Nash Fourth International Conference on Technologies for Music Notation and, 2018 | 4 | 2018 |
Alan BlackwellProfessor of Interdisciplinary Design, University of CambridgeVerified email at cam.ac.uk
